On Easter Sunday, Tamil youths in Mullaitivu organized a boat race and other festivities to celebrate the occasion.

The boat race was divided into two categories, with 25 horsepower boats and 40 horsepower boats competing.

The festivities continued into the evening of 9th April and were open to participants of all ages, from children to the elderly.

A grand midnight mass was held at the St. Sebastian Cathedral in Mannar to celebrate the resurrection of Jesus Christ on Easter Sunday. The service was a joint service that combined the congregations of many parishes in Mannar and was led by Right Reverend Dr. Fidelis Lionel Emmanuel Fernando and other priests from neighbouring churches. Security for the service was provided by the Police and the Army, following the Easter Bombings, in 2019.

TW: distressing scenes 

Since his debut with 2007’s ‘Polladhavan,’ Vetrimaaran has been steadily improving his filmic craft, which cannot be said about many of his peers. His films place equal importance to maintaining artistic integrity and showcasing social injustices, resulting in some of the best films of the 21st century. His latest film, ‘Viduthalai,’ continues the director’s impressive streak. Viduthalai is the first half of a two-part film.

Perhaps it is due to the subpar content being dished out by the star vehicles of Tamil cinema in recent times, but Obeli N. Krishna’s ‘Pathu Thala’ was surprisingly palatable. Starting out as an associate director to Gautham Vasudev Menon in the early part of his career, Krishna’s directorial debut, 2006’s ‘Sillunu Oru Kadhal,’ was mostly remembered for its great soundtrack and the buzz behind its real life lead pair. His latest offering strays from the romance genre, instead opting for a tried and tested masala gangster story. The film is a remake of the 2017 Kannada film ‘Mufti.’

The Tamil Students Initiative held their inaugural International Women’s Day Brunch showcasing up-and-coming female performers at The Cottons in Shoreditch on 19th March 2023. The exclusively female event looked to celebrate and empower women. Featured acts included Mathura, Vinika Vara, Vyshna, Thanu and Kingston Tamil Society. 

The event was hosted by Shangavi - a talented model and dancer. Shangavi has participated in both Kings of Gaana and Mega Maalai 2023, as well as recently leading her first Bharathanatyam dance workshop with Queen Mary's Tamil society. 

Following N Kalyanakrishnan’s debut with 2015’s ‘Bhooloham,’ Jayam Ravi joins hands with the director once again for ‘Agilan.’ ‘Bhooloham’ was not particularly well received by critics or the audience, therefore one cannot help but wonder what drew Ravi back to Kalyanakrishnan. Perhaps it was because on paper the film has an interesting premise: an exploration of the world of smuggling in shipping. However, due to failures in almost every department, ‘Agilan’ leaves a lot to be desired.

Overall, ‘Nanpakal Nerathu Mayakkam’ is a film about duality: both a wonderful slice of life film and a philosophical work of magical realism. Equally importantly, it is a masterful display of fantastic filmmaking, both simple and brilliant.

Despite a decent core concept, ‘Vaathi’ fails to land due to its contradictory internal thought process. If writer/director Venky Atluri had thought through the lesson he wished to teach, he would have understood that the standard formulaic ‘masala’ treatment would not work.

The style of the film outweighs the substance by a large margin. Despite the director’s incessant references to Hemingway novels, Bruce Lee films and Michelangelo’s The Creation of Adam, the film is outclassed by them all. When almost all the departments of a film fail miserably, there is only one person to blame - the director. ‘Michael’ crumbles under its own lofty ambitions, a hollow shell of a film which dissipates upon any scrutiny.